(66%) A very convincing in terms of period detail crime drama featuring a solid cast and a decent character based story that satisfies through its toe- tapping soundtrack. Clive Owen has a truly fine on-screen presence and he's really great in this, and because he and everyone else are also good, along with the few nice bits of gripping and intense action, meaning that the undebatable flaws in the script, and a couple of minor issues here and there don't really matter that much. This will likely get seen by about half as many people than it deserves, but despite that, and for Mr Clive Owen especially, this is worth a very nostalgic trip to the cinema.
'Sentiment: Positive 🙂'
Love the movie. One of the best movies I have seen. Excellent story and good screenplay to go with it. However, need to be patient to follow the story line effectively through. Not a simple straightforward story which we usually see in movies. Good family crime drama. It is a thriller reaching the climax at the end. Like the ending too. The starting and the ending of the story blend together very well. In fact all the actors and actresses portrayed their parts very well indeed. The story is adapted from a French novel and movie. Clive Owen did a very good job as the other brother. Good choice of 60s music back ground. If you like simple straightforward action movie, then this is definitely not your type. Watch it patiently and you will love the movie!
'Sentiment: Positive 🙂'
I can say right now that I prefer this film to the original, the french film made in 2008: LES LIENS DU SANG, starring Guillaume Canet, the film maker of this very one. Yes a powerful crime drama movie, with outstanding characterization and story telling. The scheme itself has already been shown before, in may other features, but here the screen play emphasizes on the relations between characters. There is no real villain here; even the Mathias Schoenheart's one, who plays here the ex con whose the cop has "stolen" the wife from. If you analyse the scheme, it appears that this "bad character at first sight" may on the contrary bring the audience to feel empathy towards him. The sub characters are also efficiently shown, in a poignant way, and there are may of them. Guillaume Canet is a really good director, even away from France.